Tuesday, 13 July 2010

... one free turn.

One Hundred Years of Toys, Dice and String.

If you were to imagine every step you've ever taken as a roll of a dice.
We stop, we watch others, we roll, we move.

Then imagine the strings, the more strings, the more complications to your body.
One to your hand, one to the other.
One to your foot and one to another.
Then the most important trigger is the one in your mouth.
The simplicity controls your body and there are no surgeons here so no heart
strings. We play as you but never your depths.
Forget how we feel, all we need is a needle and thread to bind us together.

Then imagine that everything is so much smaller.
We're the toys that get lost amongst the cracks; the toys with the broken weapons because no kid will ever know how to treat us properly.
Yet when no one is around we hold ourselves so high because there is no one around to break us.

Then imagine what 100 years is in the grand scale of things.
It is nothing to the world, but everything to us..
So forget the grand scale, i will look at the smaller things because i can't see
past my next roll.
Each person i know holds a string and one by one they will let go but i'll keep hold of the trigger.

At least in this world nothing is real.
No surgeons, no nerves.
Just cotton, string and little chance that i will ever see,
past the toys, the dice and the string.
Each one of my steps is numbered.
In life, we hit the end and we fall off the board but in this scenario, step 100 is followed by 1.
Oh how i love to play these games.

And with this i give you one free turn.

Saturday, 26 June 2010

... a quick doodle.

First quick sketch to go with 'The Aftermath of a Rainbow.'


"His memories are formed with colours and blurs whereas hers are like tapes. Whilst he only remembers the bad, she solely remembers the good. "

And with this i give you a quick doodle.

Tuesday, 22 June 2010

... a change of perspective.

The good, the bad and the nothings.

If you were to stand still and let the world in, I'm pretty sure it would destroy you.
There's always the good, the bad and the nothings.
No matter how hard we squeeze our eyes shut, crouch down and keep our hands clamped to our ears there will always be the white noise buzzing.
I try hard to keep moving because if we were to stop, this is what we'd hear.

The footsteps on the pavement at first.
Five feet to the right of me are two people who most would assume are a couple and as I get closer I can tell my assumption was correct. This is the drama I usually avoid and as I pass the volume slides up and I listen in...
"... isn't us. Why can't you..."
3. 2. 1. and it's over for me but it's still there. What means nothing to me means everything to them and it's a shame that that counts for so much in life.

And switch.

My eyes dart from his left eye to the right and for a second I become distracted by how I can never look into both at the same time so I look to the floor instead and I mumble.
"This isn't us, why can't you see that I'm unhappy?"
He looks away and I know that he blames himself. So selfless yet so naive and it's those reasons that make me realise we've changed. I look up as I hear a noise from behind me and I turn towards an ambulance 10 feet behind me, getting closer and closer. The siren approaching and before it fades into the distance i just catch the end of his sentence;
"... can't do this anymore."
And my heart breaks and pounds and all I can do is swallow my throat.

And switch.

I'm gasping for air but I barely notice. All I can focus on is my heart pounding in my eardrums bringing panic on, making me feel cold. I try to distract myself by listening to the rhythm that is created with my heart and the siren but it doesn't work.
There's a man in green sitting next to me with his hand on my heart telling me everything is
going to be fine if I just stay calm. It's in these moments that we curse ourselves for lying because if we didn't then i'd believe him. Human nature in its finest always comes back to haunt us.
He blurs and everything turns red, then slowly from the outside in everthing begins to fade into white and I gasp.

And switch.

I gasp as I see the ambulance approaching and take a quick step back onto the pavement. I kick a bottle cap out of my path and I tune back out as the siren quietens.
There's a part of me that is grateful for the nothings and even happier for the goods. But then there's parts of me that know that when these things happen to me, they'll be equally as insignificant. It takes 5 seconds to see the bad and the same amount of time to ignore it.
It's then that I look across the road and I see her for the first time. I can't help but smile
as I step forward.
Then it hits me and I take it back... Give me the nothings over the bad.

And switch.

I stop at the crossing as I see him. He smiles, I smile. But it's over so fast. I freeze and all I can hear is a noise getting louder and louder.
It's a person, running towards him shouting.
"... someone call an ambulance."

And with this I give you a change of perspective.

Saturday, 12 June 2010

... the first day of proof on a slow road.

The Aftermath of a Rainbow.

His memories are formed with colours and blurs whereas hers are like tapes. Whilst he only remembers the bad, she solely remembers the good.
And even if it takes forever, she will rewrite the tapes in the beautiful calligraphy of cliché
so that he can watch every piece of sunshine that they had until he feels the warmth. And her? Well she will let in the rain for a while so she can see where he stands.
Until a rainbow arches across above them.

We will inspire when we're happy.
Because when we're happy there will be music and art surrounding us.
But the happiness is indefinite until your colours blur to lines and the lines begin to cross and overlap until they become sketches of stickmen. Then the little boy and the little girl with the triangle skirt will expand but remain faceless until i can bring my red to your paper and give them smiles.

You need someone to make everyday different.
So that monday is red and tuesday is yellow, until the colours run out; until we run out.
You need the sunshine and the rain to make a rainbow.
And you need the rainbow to make everyday a little different...
A little challenging.

And with this i give you the first day of proof on a slow road.

Saturday, 8 May 2010

... the better end of the magnet

Positive Influences.

Imagine positivity.
My mind takes me to places with balloons, apple shaped cupcakes and everything connected with childhood without the actual children.
Positive thinking is completely infectious to me. My immune system shuts down to a smile and in terms of thinking it is completely destroyed when it comes to happiness.
It's like my brain has a constant cold that like the real physical virus, it can't shake off for good; it will always mutate and return to me affecting every move that i make.
But here is where that metaphor stops as it doesn't portray the right image for positivity.
So i'm going to give it a shot of amour and say positive thinking is like a balloon.
A bright red balloon that cannot be grounded until the air runs out.

Imagine a place where every day, there is a girl with a balloon holding onto its string, surrounded by flowers; my favourite calla lilies, bluebells, daffodils growing around her feet, the vines wrapping slowly up her ankles.
She glows from the reflection of buttercups as the sunflowers and birds of paradise brush up against her free hand and in the backdrop, a single billowing willow tree. It seems to pour bright lights as spores from the tips of its branches.
She smiles, with a light grip on the the string her fingers unfold like a flower opening to the sun and the balloon just floats.
And it goes up...
And up towards the sky.
And the corners of my mouth mimic its route.

Like the child and sunflowers do, everyone who sees the balloon will look towards the sun and smile until its deflation; the end is sad.
But there will always be more balloons.
There will always be more things to smile about.
There will always be you, standing among the flowers and spores with your bag of balloons and your infectious happiness.
Spreading smiles and magic and inspiring me to stand under the willow tree in the pixie dust and take a deep breath in .

(For P.V; If Palahniuk is my inkwell then you are my refill.)

And with this i give you the better end of the magnet.

Tuesday, 27 April 2010

... the reason to stop.

Traffic Lights.

There's me, sitting in the passenger seat as the driver takes a turn towards a red light.
The turn to the left is the two way street and forwards is a single one way lane.
Now i have no choice in the matter, i'm already in the car with no control over the driver. I go where they take me.
It's the two way street vs the one way street.
It's the couples vs the creeps.

Self confessed cynic; never loving, always driving. Always making sure to keep the red light in sight.
Never amber, never green, just red.
The glow reflecting endlessly as the twinkle in my eye, glazing over. Letting all of your images seep inside and unscramble but we don't let you inside. You enter through the eyes but it stops there before you can become the poison in our bloodstream heading straight towards the heart.
Keep cold and your heart will beat slower so you don't hit us as hard.
We are the old romantics who know to sit still.
We were the passengers who gave too much control than deserved.

We wait for it and it always comes. The moment of weakness that is so inevitable that it half hurts and half tickles.
As a romantic i will always be cynical.
We were the passengers shoved into the backseat because we're not even on the same level as the driver. We watch people come together and we watch them fall apart yet we still put ourselves up there next to you but now...
You are the driver and you don't want us.
You are the line between the two way and one way.

The fine line or the wrong turn.
We become the creeps and you become the couples.
We sulk with the red light trailing down our cheeks, from our eyes to the ground, vowing to push your images out with them.
Because we were once the romantics who loved you.
We were once in the passenger seat but now...
We are the drivers.

And with this i give you the reason to stop.

Thursday, 4 February 2010

... a plea.

Yes that is Cohen's Masterpiece from the Bioshock soundtrack in the background... i justify it's placement as i would like it as the soundtrack to the more ominous moments of my life... plus it's a great game.

And with this i give you a plea.

Friday, 29 January 2010

... a reason to fly.

The picture is just so you're sure that you know.


We stand upon a tower looking onto the city below and we take a deep breath in and I think of all the things you've ever told me; taught me.
And I'm back in that moment; the moment that we sat with our arms side by side, touching for the first time in a year, when you told me that “people like average because they can relate.”
It was then that I realised that if I ever wanted another shot then I would need you to relate to me.
I'd need to be on your level.
At the top of perfection.
But I thought about it and it became apparent that perfection doesn't need perfection.
Perfect needs average as without it, it would cease to exist.
It balances, counting on the average to stay in the middle, drifting as their support as the justification for it's title.
So I took this theory and I decided to attempt to prove how much you mean to me in the only way I know how; in the mediocrity of my writing.

This is how we got where we are now.
This is why I stand by your side and lower myself onto my front with my head overhanging the edge of the tower so all I can see is forward. The forward that is actually a seemingly endless drop straight to the ground; to inevitable death. With only mist in my eye line, obscuring me from seeing too far down the line.
You look at me and smile and the only certainty of my life doesn't seem so bad.
As you bend onto your elbows to raise yourself up again, you offer me your hand to help me back to your level and it reminds me of how I would have nothing without you.
Even though you left me in the middle, on average ground, you taught me the importance of climbing.
So here I am, at the top as I look straight ahead, into the endless blue that is divided by a rope that hangs in front of me and you place one hand on the rope and you wrap the other around my fingers.
I turn back towards you; the only person I truly respect.
The only person I've ever loved and I whisper into your ear;
“You taught me how to climb now I'll teach you how to fall.”
You laugh at me and my tendencies for the cliché because you know me too well.
“You can hold onto the rope and lower yourself down, checking your every move but the weight of us both will just leave you with raw hands and rope burn.”
But you're stubborn.
Always so stubborn.
You hold onto the rope and push off but with your hand tight in mine I stay planted to the tower and you hang there in the balance.
I ask you “Do you really want to live without risk?”
You laugh yet again.
“You won't feel the burn until you're at the bottom and you look back up. I'd rather let go and fly and not have the chance to look back and regret.”
I stand at the top of the tower alone, with both hands on yours and we laugh at each other.
“How did we get here?”
My last laugh turns into a sigh and I tell you “I will jump and I will fall but I don't want to go through my drop without you. Don't let this be the choice that you regret at the bottom of the rope.”
That was the look. The look that makes me leap.
The look where you took your eyes from mine and you stared through the mist beneath you; the look when I knew you wouldn't jump.
So I let go and your hand slips from mine. I half sigh, half laugh at the sight of you hanging in front of me then I look up and shut my eyes.
I step forward as I say “It will always be you.”
With my arms outstretched either side of me, I take a step back and a deep breath in.
Then I run and jump off the edge without you and I plunge through the depths of the mist and unknown.

One year later and I'm still falling.
Still waiting for you to take that risk and jump with me.
Now fly.

And with this i give you a reason to fly.
(For M.R.)

Wednesday, 20 January 2010

... my fingerprints.

The Moulder's Palms.

I hear a crack.
I look to the ceiling through blurred eyes. All I can focus on is the tiny spider pattern of broken paint sprawled within the 1cm² of the upper left corner and I let myself wander as I imagine.
I try distract myself from the salt water taste in my mouth, the lump in my throat and my hollow torso by imagining the creation of life from destruction; the spider splits into two, exploding into a million new babies that form trails of new carnage across the ceiling. As the paint chips off I see the ghost path of a delicate silk web fall down to the floor. I think to myself;
"If I can find beauty in this then I could create an enduring, incorruptible optimism through delusion."
The spiders fork their path, signalling me to make a choice; to be happy or unhappy, or in other words to be sane or insane.
It's then that I hear a noise that shocks me out of my trance and I blink through my tears to focus on the shrinking spider, back in it's corner. I panic as I hear another crack that pulses through my ears. It's so loud that I feel the vibrations in my throat. My heart beats. Half beats. It's struggling to to pump through the leak. Pumping twice as fast to try and make up for it's loss. The pressure building, building and splitting further and I grab my chest in desperation to save myself and my breaking heart.
I have the overwhelming urge to rip into my own flesh so I can squeeze the hearts cracks back together like play doh; but it seems everyone but ourselves have the ability to mould. With every one, imprints are left from its various encounters and its shape changes forever and constantly to fit into its new moulders palms.
I succumb to my bodies wishes as I allow myself to choke on my tears with my supposed 'love muscle' betraying me; spiting me for letting it's endeavour get away from me. I fall to the floor with my heart in my throat, pounding and soaking in a puddle of my own tears.

And as I wake, I can't help but smile as I focus in on the green beneath me, spreading and growing across the damp spot on the floor, drenched previously with my unhappiness but now the food for my delusions. The grass stems out towards the walls and blossoms into a thousand flowers; from spiders to petals to beauty and I'm happy. Happy in my phantom forest where I'm shielded from the light that allows me to see the cracks and imprints that you left behind. So I swallow my heart back into its depths and my tears follow with it. Whilst staring at the ceiling, my eyes follow the path of spiders that leads to insanity and as they scatter, they reveal one word embroidered in their silk webs;

And with this i give you my fingerprints.

Sunday, 17 January 2010

... a spill.

Faux Red Rose

Tonight I choose to be in love.
Tomorrow morning I will be back to monotony.
If I am the one with the slapstick, placing the skins before I tread forward, then I am choosing when to fall into my fate.
Like the sleazy guy at the bar who falls in love with a different prostitute every night; I choose to be the person I am.

The time is 11:00am.
This morning, I was waiting for the bus as I do everyday day.
The direction may be different, but the transportation always the same.
The time is 11:02am.
The bus stops at my feet and I look up towards the advertisement on the side; another generic love story with the tag line “you can't help who you fall for.”
Now I don't give this a second thought until a lady behind me steps up onto the bus and sighs loudly so her friend has no choice but to ask;
“What's wrong?”
You know the kind of sigh I'm talking about; the kind of sigh that is deliberately blown your way. The kind of sigh that either a) you have to respond to and listen or b) you can ignore but will labelled a bad friend.
Now take your pick. Personally, after hearing this lady talk on I would have looked at her, blinked unresponsively then walked in the opposite direction.
But that's just me. I'm a bad friend.
The kind of friend that passes up hanging out to go and hand out red roses to any lucky somebody that walks my way.
Today is her lucky day, she walks by me and sits in the seat behind me. Unfortunately, she won't be getting one of my faux hand picked gifts.
“It just frustrates me when I see the phrase 'you can't help who you fall for'. It's offensive to everything I believe in.”
Oh do please go on. What she doesn't know is that she's about to offend me and my drive-by love attitude.
That's the problem with speaking in public; the domino effect of offense.
“There are so many things wrong with that phrase. The first thing being that it is an implication that love is an unavoidable accident, like spilt milk. The kind that you're not meant to cry over. The kind that could have been avoided if you'd never bought the milk in the first place. If you'd never set eye on that milk, then you would have no milk to spill. You should never think of love like that. Love is a necessity. Life is like a cake and love is a vital ingredient, you need it to make your life cake worth eating.”
Well that's true, well half true.
Love is avoidable for me, I plan when to fall in love. It's my unsuspecting victim who spills their milk over me. Yeah don't worry, I'm aware of how that sounds.
“The second part is the word 'fall' making it sound as though the inevitable outcome of being in love will be pain.”
So far I'm following, I understand her point but it's a little old fashioned perhaps.
“Love is meant to be something you enjoy, yet that phrase dismisses the happiness that love brings.”
Well here's my stop. Unfortunately for her friend she has to stay on and listen to the ramblings.
If only more conversations worked out this way for me.
The time is 11:11am. Make a wish.
To fall in love.
I walk ten steps down the road then take a left and enter the super market. The same directions. Monotony.
The same supermarket I go to every single week.
The time is 11:12am.
I walk into the fifth aisle and down to the dairy section. I could see what I'm looking for if it wasn't for the man standing in front of it, he's staring at the floor, blocking the shelves from my view.
I'm four steps from my destination and I'm so intent on my purchase and the curiosity of his movements that on my next step I slip.
And I fall.
And I look up to see the man apologising with his hand outstretched.
I reach out with my hand, dripping with his spilt milk and I think to myself.
The time is 11:15am and tonight I am going to be in love.

And with this i give you a spill.

Monday, 4 January 2010

... your personal survival instinct.

Survival of the Fittest

“Testing, testing, 1, 2, 3.”

Okay it's recording.
“Survival Instinct.”
I look deep into the lens of the camera; into the eyes of the viewer.
“The majority of us have it because we have the power to. If you're not planning on dying then everyone has it. Every living thing has it. Just like a virus does to us, we do to the animals. A virus wipes us out to survive; or at least that's its story.”
I look past the camera into her eyes.
“There's always something keeping us alive; whether that be a person, an object or a fear.”
She smiles at me and I can feel its warmth. I look back at you through the camera.
“They say that if you're being shot at, your best bet of survival is running around a straight line. Dodging and weaving. When we think of our lives; our futile, monotonous lives, we think that all we can do is move forward rhythmically. If you're living the same day everyday, continuously walking in a straight line then you're bound to be shot at. You're an easy target.”
I drop my head for a second and rub my face with my palms, hard into the hollowed out sockets of sleep deprivation.
“Always run in a zig-zag. Make sure you make as many turns as you can because it will save your life.”
I lift my weary head and I fix my gaze on yours.
“But when you're staring down the barrel of a gun what instinct do you have left? You're too scared to make a move. When you're looking death in the face you can't blink for a second because you don't want to miss a second of what you have left.”
I look back at her and see her smile.
I see what my survival instinct is fighting for.
Was fighting for.
The sun shines through the window behind me for just a second but it's enough to make me squint as it reflects off her photo; off her endless smile frozen in time.
The smile that is now buried deep in the ground. Colder than it has ever been and getting more so by every second that I acknowledge it.
“As long as you don't come face to face with your gunman then you'll survive.”
She looked hers right in the eye, now I'm looking into mine.
“Live everyday as though you're being shot at because at the end of it, we're always in the scope just trying to avoid the end.”
Who knew she would be my survival instinct and my gunman.
I look back at you for a moment and nod.
“The day she killed herself was the day she killed me”
I look back at my wedding photo; into her eyes.
I lift the barrel to my head and with no second thoughts and no remorse...
I squeeze the trigger.
And the viewers stare into the socket once hollowed by lack of sleep but now hollowed by a smoking bullet.

And with this i give you your personal survival instinct.

Sunday, 3 January 2010

... a not-so-formal introduction.

So i decided that a good way to introduce myself was to record a video. I was told it would be a good idea to plan what i was going to say but at the last minute i decided not to.
I also realised after filming that i said non-fiction, but i guess the majority of my writing is fiction so ignore that mistake.
So this is my horribly improvised and very boring introduction.

And with this i give you a not-so-formal introduction.